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PROGRAMME

Poster for the piano quartet concert at Ca’n Bonico featuring works by Robert Schumann and Johannes Poster for the piano quartet concert at Ca’n Bonico featuring works by Robert Schumann and Johannes

Robert Schumann (1810–1856)

  • Piano Quartet Op. 47

    I. Sostenuto assai – Allegro ma non troppo

    II. Scherzo: Molto vivace

    III. Andante cantabile

    IV. Finale: Vivace

INTERMISSION

Intermission in the courtyard of Ca’n Bonico.

A glass of wine or water courtesy of the hotel.

Johannes Brahms (1833–1897)

  • Piano Quartet Op. 25

    I. Allegro

    II. Intermezzo, Allegro ma non troppo

    III. Andante con moto

    IV. Rondo alla Zingarese, Presto

About the performers

Miclen LaiPang (violin), Clara Mascaró (viola), Marc Alomar (cello) and Llorenç Prats (piano) come together for this concert to perform two of the most representative works of the Romantic piano quartet repertoire.

All four musicians maintain an active involvement in performance, teaching and chamber music, taking part in a wide range of musical projects both in Mallorca and beyond.

This programme brings them together around one of the most distinctive chamber music formations, built on balance, listening and shared work between the four instruments.

Quaderns

Schumann, Brahms and a decisive friendship

The relationship between Robert Schumann and Johannes Brahms shaped an important part of nineteenth-century music.

→ Read the Quadern.

Brahms - Schumann · piano quartet Mallorca

About the programme

This programme brings together two of the most representative works of the Romantic piano quartet repertoire.

Robert Schumann and Johannes Brahms shared an artistic and personal relationship that occupies a central place in nineteenth-century music history. The works heard in this concert reveal two different approaches to chamber music: a more open and fluid writing in Schumann, and a denser, more expansive construction in Brahms.

Performed within the same evening, these two scores offer a privileged view of one of the richest periods of the European chamber music repertoire.